Shakespeare

286 posts

February 2019

• “I’VE BEEN ROOKED”. 2019-02-15
• THE WOOD IN ATHENS (COMMENT). 2019-02-13
• THE DIFFERENCE BETWEEN A WOOD AND A FOREST (COMMENT). 2019-02-12
• UNDERSTANDING THE “ROOKY WOOD” (COMMENT). 2019-02-11

November 2018

• THE WEDDINGS IN MEASURE FOR MEASURE. 2018-11-14
• OTHER CHANGES TO THE ENDING OF MEASURE FOR MEASURE. 2018-11-13
• THE ENDING OF MEASURE FOR MEASURE—THE DIRECTOR’S PREROGATIVE. 2018-11-12

October 2018

• THE MARKETING OF THE FIRST FOLIO A CENTURY AFTER SHAKESPEARE DIED. 2018-10-31
• THE COMMERCIAL SUCCESS OF THE FIRST FOLIO IN THE 18TH CENTURY. 2018-10-30

September 2018

• “SHAKESPEARE AND THE HEART’S DESIRE”—THURSDAY SEPTEMBER 27. 2018-09-23
• “JUDITH SHAKESPEARE HAS HER SAY”—WEDNESDAY SEPTEMBER 26. 2018-09-22
• “SHAKESPEARE RISING”—TUESDAY SEPTEMBER 25. 2018-09-21
• THE LIVES OF SHAKESPEARE, MARY JANE’S TRILOGY, WILL BE PERFORMED TUESDAY SEPTEMBER 25 THROUGH THURSDAY SEPTEMBER 27 AT THE PLAYERS CLUB. 2018-09-20

August 2018

• THE PLAYERS. 2018-08-14

July 2018

• REASONS FOR CHANGING THE ENDINGS OF MEASURE FOR MEASURE AND HAMLET. 2018-07-24
• DIRECTORS CHANGING THE ENDINGS OF SHAKESPEARE’S PLAYS. 2018-07-23
• ENDING HAMLET BY SHOOTING HORATIO. 2018-07-22

February 2018

• HAMLET AND BREAKING BAD (COMMENT). 2018-02-05
• MAYBE SHAKESPEARE NEEDED A COMPLICATED BLOODBATH AT THE END OF “HAMLET”. 2018-02-01 · 1 comment

January 2018

• WHY I REJECT BRECHT’S THEORY. 2018-01-31
• BRECHT’S THEORY THAT A LOT OF THE SCENES IN HAMLET ARE OUT TAKES. 2018-01-30
• EMMA RICE AND THE GLOBE—-EPILOGUE. 2018-01-15
• MY DEFENSE OF EMMA RICE. 2018-01-14
• WHO CARES ABOUT SHAKESPEARE’S WORDS? 2018-01-13
• EMMA RICE’S PENULTIMATE SHAKESPEARE PRODUCTION AT THE GLOBE. 2018-01-12 · 1 comment
• EMMA RICE’S LAST SHAKESPEARE PLAY AT THE GLOBE. 2018-01-11

March 2017

• ACTORS INTONING. 2017-03-14

November 2016

• I THINK APPOINTING A NEW DIRECTOR OF THE GLOBE IS FOR THE BEST FOR EVERYBODY. 2016-11-06
• THE CONTROVERSY AT THE GLOBE—-MAYBE IT WAS REALLY ABOUT THE LIGHTING AFTER ALL. 2016-11-05
• THE CONTROVERSY AT THE GLOBE—PRESERVING THE GLOBE EXPERIENCE. 2016-11-04
• THE CONTROVERSY AT THE GLOBE—-WAS IT “SNOBBERY” TO CHANGE ARTISTIC DIRECTORS? 2016-11-03
• THE DIRECTOR OF THE GLOBE THEATRE, WHO SAID THAT SHAKESPEARE MAKES HER “VERY SLEEPY”, WILL LEAVE HER POSITION. 2016-11-02

October 2016

• THE AMBIGUITY OF THE BUDDHA’S FACES. 2016-10-11
• IDENTITY, HUSBANDS AND WIVES, AND DROPS OF WATER. 2016-10-05
• IDENTITY, TWINS AND DROPS OF WATER. 2016-10-04

September 2016

• NINNYHAMMERS. 2016-09-08

August 2016

• ELM SHAKESPEARE’S MIDSUMMER NIGHT’S DREAM. 2016-08-27
• REVENGE IN SHAKESPEARE’S COMEDIES. 2016-08-26
• ARE MOST SHAKESPEARE PLAYS REVENGE PLAYS? 2016-08-25
• WHO WROTE EDWARD III?—WHAT’S MY OPINION? 2016-08-02
• IS EDWARD III GOOD ENOUGH TO BE BY SHAKESPEARE? 2016-08-01

July 2016

• HOW DO YOU DECIDE WHETHER SHAKESPEARE WROTE EDWARD III? 2016-07-31
• WHO WROTE EDWARD III?—-SOME CANDIDATES. 2016-07-30
• A COMPLETIST GOES FOR EXTRA CREDIT. 2016-07-29
• “I SOLD MY FARM TO BUY MY CROWN.” 2016-07-08
• SHAKESPEARE FAVORED MULTIPLE MEANINGS EVERY CHANCE HE GOT. 2016-07-06
• THINKING IN A WORLD WITHOUT STANDARD SPELLING. 2016-07-05
• DISAMBIGUATING SHAKESPEARE. 2016-07-04
• THE AIR BITES “SHROUDLY”—DOES SHAKESPEARE’S SPELLING MATTER? 2016-07-03
• HAMLET—A YOUNG MAN’S VOICE. 2016-07-02

June 2016

• HOW DIFFICULT IS SHAKESPEARE? 2016-06-19
• PEOPLE SHOULDN’T BE TOLD THEY WON’T LIKE SHAKESPEARE. 2016-06-18
• BLACKADDER’S OPINION OF CUTTING HAMLET. 2016-06-17
• IF YOU’RE TRANSLATING SHAKESPEARE INTO CURRENT ENGLISH, WHY NOT GO ALL THE WAY ?—- “I THINK SHAKESPEAR NEEDS TO TALK IN MODERN ENGLISH, INNIT, BRUV?” 2016-06-16
• I’M OK WITH CHANGING THE GENDER OF SHAKESPEARE’S CHARACTERS, TRANSLATING SHAKESPEARE, AND CUTTING SHAKESPEARE, IF IT ENLARGES THE AUDIENCE FOR SHAKESPEARE. 2016-06-15
• THE CONTROVERSY OVER THE GLOBE DIRECTOR’S LOW OPINION OF SHAKESPEARE. 2016-06-14
• THE NEW DIRECTOR OF THE GLOBE THEATRE SAYS SHAKESPEARE MAKES HER “VERY SLEEPY” 2016-06-13

May 2016

• HOW MANY PLAYS DID SHAKESPEARE WRITE? 2016-05-04
• REWRITING SHAKESPEARE’S SONNETS. 2016-05-03
• WHAT WAS EZRA POUND UP TO? 2016-05-02
• WHAT WAS SANTAYANA UP TO? 2016-05-01

April 2016

• A FOLLOWER OF EZRA POUND REWRITES SONNET 30. 2016-04-30
• SANTAYANA REWRITES SONNET 29. 2016-04-29
• SHAKESPEARE DID NOT WRITE IN OLD ENGLISH. 2016-04-24
• A MODERN TRANSLATION OF SONNET 18 INTO OLD ENGLISH. 2016-04-23
• LEAR—THE STORM WITHIN AND A STORM WITHOUT. 2016-04-11

March 2016

• ALL OF SHAKESPEARE’S PLAYS ARE GOOD. 2016-03-25 · 1 comment
• WHAT I LEARNED AS A COMPLETIST. 2016-03-24
• EXPERIENCING PERICLES. 2016-03-23 · 1 comment
• A “LIMPIDLY BEAUTIFUL PLAY”. 2016-03-17
• MIXED FEELINGS ABOUT GOING TO SEE PERICLES. 2016-03-17
• HOW IS “WONDERFUL” DIFFERENT FROM “MARVELOUS”? 2016-03-16
• TREVOR NUNN’S COMPLETIST AGENDA. 2016-03-08
• A COMPLETIST PREPARES TO DECLARE VICTORY. 2016-03-07 · 2 comments
• WOULD SHAKESPEARE BE WRITING FOR VIDEOGAMES IF HE WERE WRITING TODAY? 2016-03-06 · 1 comment
• HOW SHAKESPEARE WROTE FOR MOVIES. 2016-03-05
• DO STUDENTS TODAY EXPERIENCE SHAKESPEARE DIFFERENTLY? 2016-03-04

February 2016

• “KNEELING UPON THE KNEES OF MY HEART”. 2016-02-07
• THE THIRD PLAY OF MARY JANE’S SHAKESPEARE TRILOGY. 2016-02-06

October 2015

• AGINCOURT—600 YEARS AND FOUR DAYS AGO. 2015-10-29
• THE DETECTIVE STORY WRITER AND THE HISTORIANS. 2015-10-18
• CURRENT THINKING ON THE DEATHS OF THE PRINCES IN THE TOWER. 2015-10-17
• WHAT THE BILL OF ATTAINDER DIDN’T SAY. 2015-10-16
• ASSERTIONS THAT HAMLET CAN’T BE FAT. 2015-10-09
• IS HAMLET FAT? 2015-10-08
• MARY JANE HAS FINISHED THE THIRD PLAY IN HER SHAKESPEARE TRILOGY. 2015-10-07
• TURNING POP SONGS INTO SHAKESPEARIAN SONNETS. 2015-10-06 · 1 comment

August 2015

• FALSTAFF, SNOOPY, DOCTOR WHO, AND SHERLOCK HOLMES. 2015-08-31
• SHERLOCK HOLMES AS HAMLET. 2015-08-30
• HAMLET, SHERLOCK HOLMES, AND DOCTOR WHO. 2015-08-29
• STARTING HAMLET WITH “NATURE BOY”. 2015-08-28
• IS IT A MISTAKE TO BEGIN HAMLET WITH “TO BE OR NOT TO BE”? 2015-08-27
• STARTING HAMLET WITH “TO BE OR NOT TO BE”…. 2015-08-26
• WORDS SHAKESPEARE INVENTED THAT DIDN’T CATCH ON. 2015-08-24
• WAS THE CHOICE FOR ENGLISH LITERATURE BETWEEN SHAKESPEARE AND BEN JONSON? 2015-08-13 · 1 comment
• ROBERT CONQUEST’S REVISION OF SHAKESPEARE. 2015-08-09

July 2015

• WHY I THINK SHAKESPEARE SHOULD GET FULL CREDIT FOR HENRY VIII. 2015-07-08
• WHAT HENRY VIII LEAVES OUT. 2015-07-07
• DID SHAKESPEARE WRITE THE GOOD PARTS OF HENRY VIII AND FLETCHER THE BAD? 2015-07-06
• THE POLITICAL DANGERS OF SHAKESPEARE’S HENRY VIII. 2015-07-05
• A COMPLETIST ADDS HENRY VIII. 2015-07-04

June 2015

• A HAPPY ENDING FOR ALL’S WELL. 2015-06-29
• DOES “ALL’S WELL THAT ENDS WELL” END WELL? 2015-06-28
• PEOPLE HATE BERTRAM. 2015-06-27

May 2015

• WHAT EFFECT DID THE TWO MURDERS HAVE ON SHAKESPEARE? 2015-05-17
• THE TWO MURDERS IN SHAKESPEARE’S HOUSE. 2015-05-16
• SHAKESPEARE’S BIRTHPLACE AMERICA. 2015-05-15 · 1 comment
• THE IMPORTANCE FOR ME OF FREUD AND MARX. 2015-05-14
• “A FREUDIAN FANTASY” (COMMENT). 2015-05-13

April 2015

• THE SONNET PROJECT’S INTERPRETATIONS OF SONNETS 116, 117 AND 118. 2015-04-27
• SONNETS 117 AND 118 AS PARTS OF A SEQUENCE. 2015-04-26
• SONNET 116 (“LET ME NOT TO THE MARRIAGE OF TRUE MINDS”) AS PART OF A SEQUENCE. 2015-04-25
• DO SHAKESPEARE’S SONNETS HAVE A PLOT? 2015-04-24
• THE SONNET PROJECT OF THE NEW YORK SHAKESPEARE EXCHANGE. 2015-04-23
• MARY JANE’S DREAM ABOUT SHAKESPEARE AND TOTO. 2015-04-17
• MARY JANE’S 24 HOUR PLAY FESTIVAL. 2015-04-16
• MARY JANE’S NEW BLOG ABOUT SHAKESPEARE. 2015-04-15

December 2014

• JUDITH SHAKESPEARE HAS HER SAY. 2014-12-18
• THE SECOND PLAY IN MARY JANE’S SHAKESPEARE TRILOGY HAS BEEN READ IN NEW YORK. 2014-12-17

October 2014

• GARDEN PATH SENTENCES IN SHAKESPEARE. 2014-10-25
• HOW MACBETH WORKS WITHOUT THE AUDIENCE NOTICING. 2014-10-24
• ARGUING THAT SHAKESPEARE CAN’T BE TRANSLATED BECAUSE THERE IS NO SINGLE “MEANING”. 2014-10-23

September 2014

• A JUSTIFICATION FOR THE MURDER AT THE END OF THE COMEDY. 2014-09-08
• CHANGING MEASURE FOR MEASURE—A MURDER AT THE END OF THE COMEDY. 2014-09-07
• CHANGING MEASURE FOR MEASURE—A TOPLESS SCENE FOR A NUN. 2014-09-06
• CHANGING MEASURE FOR MEASURE—ELIMINATING CLAUDIO’S SPEECH. 2014-09-05
• THE UTAH SHAKESPEARE FESTIVAL—PLAY DEVELOPMENT. 2014-09-01

August 2014

• HOTSPUR POINTS OUT THAT CORRELATION DOES NOT IMPLY CAUSATION. 2014-08-28
• WHEN RICHARD BURTON CLAIMED TO MAKE UP HIS OWN SHAKESPEARE LINES. 2014-08-27
• “REMEMBER, THIS WASN’T OUR IDEA.” 2014-08-26
• WANTING TO PLAY ALL THE PARTS—NICOL WILLIAMSON. 2014-08-25
• NICOL WILLIAMSON—WHEN STAGE FIGHTS ARE REAL. 2014-08-24
• MEDICAL INTERPRETATIONS OF KING LEAR. 2014-08-11
• KING LEAR AS A POLITICAL PLAY (COMMENT). 2014-08-10
• ‘LET US SIT UPON THE GROUND….” 2014-08-09
• DO AMERICANS ACT SHAKESPEARE DIFFERENTLY? 2014-08-08
• PASCAL: TWINS ARE FUNNY. 2014-08-05

July 2014

• ANNALISA’S INTERPRETATION OF SHAKESPEARE’S “BLUNDER”. 2014-07-03
• SHAKESPEARE AND THE LEVITATION MAGIC TRICK. 2014-07-02
• SHAKESPEARE’S “BLUNDER” ? (SPOILER ALERT). 2014-07-01

June 2014

• CAN SHAKESPEARE BLUNDER? 2014-06-30
• DID SHAKESPEARE BLUNDER? 2014-06-29
• TWO GENTLEMEN OF VERONA—A TRIUMPH FOR SHAKESPEARE ON THE SOUND. 2014-06-23
• TWO GENTLEMEN—THE “LEAST REGARDED OF SHAKESPEARE’S COMEDIES”. 2014-06-23
• THE SECOND HALF OF MEASURE FOR MEASURE. 2014-06-22
• DOES SHAKESPEARE HAVE A PROBLEM WITH THE SECOND HALF OF HIS TRAGEDIES? 2014-06-22
• HERE IS THE HEAD, I’LL CARRY IT MYSELF. 2014-06-21
• STAGE BLOOD AND MOVIE BLOOD. 2014-06-20
• IS SHAKESPEARE TOO VIOLENT? 2014-06-19
• PUNNING IN SHAKESPEARE. 2014-06-11
• A COMPLETIST ANTICIPATES TWO GENTLEMEN OF VERONA. 2014-06-10

May 2014

• MARY JANE ON HOW SHAKESPEARE IS MORE HELPFUL TO ACTORS THAN BRECHT AND BECKETT ARE. 2014-05-14
• HOW IS SHAKESPEARE MORE HELPFUL TO ACTORS THAN BRECHT OR BECKETT ARE?—FIRST ATTEMPT. 2014-05-13

February 2014

• MARK RYLANCE’S TWELFTH NIGHT. 2014-02-13
• VIOLA—A “STRANGELY, MOVINGLY PASSIVE HEROINE”? 2014-02-12
• THE “INCANTATORY” RHETORIC OF RICHARD III. 2014-02-11
• RICHARD III AS VICE. 2014-02-10
• RYLANCE’S “DEEPLY UNCONVENTIONAL” RICHARD III. 2014-02-09

January 2014

• UTAH SHAKESPEARE FESTIVAL! 2014-01-30

November 2013

• ANNALS OF TECHNOLOGY—HAMLET IS A VIOLENT PLAY. 2013-11-04

September 2013

• EMPSON AND QUANTUM PHYSICS. 2013-09-30
• UNDERSTANDING “THE ROOKY WOOD”. 2013-09-29 · 1 comment
• EMPSON—EMBRACING ALL THE MEANINGS. 2013-09-28
• MARY JANE’S PLAY IS STAGED IN NEW YORK. 2013-09-16 · 3 comments

June 2013

• PLAYING ROSALIND AS A GIRL. 2013-06-28
• SHAKESPEARE ON THE SOUND DOES A WONDERFUL “AS YOU LIKE IT”. 2013-06-28

May 2013

• “INNIT, BRUV” AS GRAMMAR. 2013-05-04

April 2013

• MY REACTIONS TO THE HAMLET COMIC STRIP—HAMLET’S POWERFUL MOTIVATION. 2013-04-10
• MY REACTIONS TO THE HAMLET COMIC STRIP—CONTEMPORARY HAMLETS. 2013-04-09 · 1 comment
• HAMLET AS AN ANTISOCIAL GEEK. 2013-04-08
• UNUSUAL CASTING—ULYSSES S. GRANT AS DESDEMONA. 2013-04-02
• HAMLET AS A FAT MAN—JACKIE GLEASON. 2013-04-01

March 2013

• HAMLET AS EVERYMAN—PAUL GIAMATTI. 2013-03-31

February 2013

• ANTHONY HECHT—”PERIPETEIA” 2013-02-14
• THE EARL OF OXFORD AND HIS FART. 2013-02-02

January 2013

• DOCTOR WHO AS HAMLET. 2013-01-31
• “IT’S BRILLIANT, INNIT, BLUD?” (COMMENT). 2013-01-30

December 2012

• “INNIT” AND “BRUV”. 2012-12-21
• “I THINK SHAKESPEAR NEEDS TO TALK IN MODERN ENGLISH, INNIT, BRUV?” (COMMENT). 2012-12-20 · 1 comment

July 2012

• SHAKESPEARE ON THE SOUND—ROMEO AND JULIET. 2012-07-25
• A SOLIPSISTIC INTERPRETATION OF MACBETH. 2012-07-24

June 2012

• IS THIS ONE REASON FOR THE PROLOGUE TO ROMEO AND JULIET? 2012-06-24
• SHAKESPEARE ON THE SOUND 1999—ROMEO AND JULIET. 2012-06-23
• SHAKESPEARE ON THE SOUND 2012: ROMEO AND JULIET. 2012-06-23
• FINDING THE THEATER WHERE ROMEO AND JULIET WAS FIRST STAGED. 2012-06-07

April 2012

• DID SHAKESPEARE KNOW THE WRITINGS OF HEGEL, MARX, NIETZSCHE, FREUD, WITTGENSTEIN AND DERRIDA? 2012-04-21

March 2012

• OLIVIER’S INSIGHT ON IAGO’S MOTIVATION. 2012-03-27
• IAGO AS A COURTIER. 2012-03-26
• IAGO AS A SEDUCER. 2012-03-26 · 1 comment
• “THE JOKER IN THE PACK”. 2012-03-25
• OTHELLO’S COMIC FOUNDATION. 2012-03-24
• THE GREAT VOWEL SHIFT—CHAUCER’S PRONUNCIATION. 2012-03-06 · 1 comment

February 2012

• SHAKESPEARE AND ULYSSES GRANT. 2012-02-26

October 2011

• SHAKESPEARE’S EDUCATION (COMMENT). 2011-10-26
• ANONYMOUS—ONLY ARISTOCRATS CAN CREATE LITERATURE. 2011-10-25
• ON COPIA—IS THIS HOW SHAKESPEARE, DONNE AND MILTON LEARNED TO WRITE? 2011-10-13 · 1 comment

September 2011

• IS SHAKESPEARE UNIVERSAL? —THE CASE OF FRANCE. 2011-09-30

May 2011

• HOW WOULD SHAKESPEARE FEEL ABOUT CUTTING HIS PLAYS? 2011-05-25 · 1 comment
• HOW DO I FEEL ABOUT ABRIDGING SHAKESPEARE’S PLAYS? 2011-05-25
• DO CRITICS KNOW BETTER THAN PLAYWRIGHTS? 2011-05-24
• IS WRITING A PLAY LIKE MAKING LASAGNA? 2011-05-23
• SHOULD SHAKESPEARE’S PLAYS BE CUT FOR MODERN AUDIENCES? 2011-05-22
• IS 1700 THE CUTOFF DATE FOR UNDERSTANDING THE ENGLISH LANGUAGE? 2011-05-04
• MY VOTE FOR TRANSLATING SHAKESPEARE (COMMENT). 2011-05-01

April 2011

• SHOULD SHAKESPEARE BE TRANSLATED INTO MODERN ENGLISH? 2011-04-30 · 1 comment

January 2011

• MARY JANE’S FULL-LENGTH PLAY ABOUT SHAKESPEARE. 2011-01-24 · 1 comment

November 2010

• WHY I CAN ENJOY A PLAY MORE THAN SOME GOOD DIRECTORS CAN. 2010-11-08
• “AH, SOLDIER!” IN PERFORMANCE. 2010-11-07

October 2010

• IS A MIDSUMMER NIGHT’S DREAM “NOT A VERY GOOD PLAY”? 2010-10-10 · 2 comments

September 2010

• ARE ANTONY AND CLEOPATRA OVERRATED? 2010-09-02

August 2010

• “…BARE RUINED CHOIRS…” 2010-08-08
• THE AMBIGUITY OF “AH, SOLDIER!” 2010-08-08
• “AH, SOLDIER!” 2010-08-06 · 2 comments

July 2010

• SEAM AND GREASE (COMMENT). 2010-07-25
• SEAMS AND SEWING (COMMENT). 2010-07-25
• “THE SEAMY SIDE” IN SHAKESPEARE. 2010-07-22
• UNSEAMING IN SHAKESPEARE. 2010-07-22 · 1 comment
• SHAKESPEARE’S INVENTED WORDS. 2010-07-21 · 3 comments

June 2010

• PLAYWRIGHTS AND STATISTICS. 2010-06-29
• WHO WROTE THE HENRY VI PLAYS? 2010-06-29
• FIGURING OUT WHO SHAKESPEARE’S COLLABORATORS WERE. 2010-06-28
• HOW RAFFISH WAS SHAKESPEARE? 2010-06-27
• SHAKESPEARE’S LOW-LIFE COLLABORATOR. 2010-06-27
• A HORSE ON A TREADMILL. 2010-06-21

May 2010

• SEEING KING JOHN VERSUS READING IT. 2010-05-31 · 1 comment
• KING JOHN IS A GOOD PLAY. 2010-05-30
• A COMPLETIST GOES TO SEE KING JOHN. 2010-05-29
• WHAT WAS SHAKESPEARE LIKE?—THE OXFORDIAN VIEW. 2010-05-21 · 1 comment
• MEL GIBSON—THE BEST HAMLET PERFORMANCE? 2010-05-03
• HAMLET AND DOCTOR WHO. 2010-05-02 · 2 comments
• IS THIS THE BEST HAMLET? 2010-05-01 · 1 comment

December 2009

• THE SHAKESPEARE PLAY THE SCHOLARS IGNORE. 2009-12-16

September 2009

• WHAT IS THE UNITY OF THIS WORK? 2009-09-07
• WAS IT A MISTAKE TO WRITE HAMLET? 2009-09-05 · 3 comments
• WAS THERE ADEQUATE MOTIVATION FOR HAMLET? 2009-09-04
• WHAT SHAKESPEARE PLAY WOULD YOU ASSIGN? 2009-09-03 · 2 comments

July 2009

• CHIMNEY-SWEEPERS—ANOTHER NAME FOR DANDELIONS. 2009-07-06 · 1 comment
• FIREFLIES AND ROMANCE. 2009-07-03

April 2009

• CAN A COMMONER BE A BRILLIANT WRITER? 2009-04-20
• NOT WILLIAM SHAKESPEARE—BEYOND A REASONABLE DOUBT? 2009-04-19

February 2009

• PICKING UP NICKELS IN FRONT OF A STEAMROLLER. 2009-02-11

November 2008

• DO I HAVE A FIXED SELF? 2008-11-21 · 1 comment
• MONEYBALL AND THE FINANCIAL CRISIS. 2008-11-16 · 2 comments

October 2008

• GETTING HOLD OF THE BEANS BEFORE VALUING THEM. 2008-10-30 · 1 comment
• MANDY PATINKIN’S PROSPERO. 2008-10-16
• IS THERE AN HOMAGE TO FORGIVENESS IN THE TEMPEST? (AUDEN’S VIEW). 2008-10-16
• ANTONIO’S LONELINESS (AUDEN’S VIEW). 2008-10-15
• MIRANDA’S LONELINESS (AUDEN’S VIEW). 2008-10-15
• DOES THE TEMPEST DISAVOW LONELINESS? 2008-10-15
• PROSPERO’S LONELINESS. 2008-10-14
• MANDY PATINKIN IN THE TEMPEST–A BRIEF RECOMMENDATION. 2008-10-14

September 2008

• A DANGEROUS WEEKEND? 2008-09-25
• SOME SUPPORT THAT WE ARE NOT SPENDING TOO MUCH ON HEALTH. 2008-09-13

August 2008

• THERE CAN BE ECONOMIC PAIN WITHOUT A RECESSION. 2008-08-18
• WANTING TO BE A CHAMELEON. 2008-08-10

July 2008

• WERE THERE REASONABLE MEN IN SHAKESPEARE’S TIME? 2008-07-30

March 2008

• IS GENDER SIMPLY PLAYING A ROLE? 2008-03-30
• DO WE CHOOSE OUR PERSONALITIES? 2008-03-29
• CAN CASSIUS BE A WOMAN? 2008-03-28 · 3 comments
• A SOLUTION TO THE PROBLEM OF BLOOD. 2008-03-07
• BLOOD AND SHAKESPEARE. 2008-03-06
• THE PROBLEM OF BLOOD (COMMENT). 2008-03-05

February 2008

• LEARNING SHAKESPEARE’S LINES. 2008-02-19 · 2 comments

January 2008

• ON NOT READING KING LEAR. 2008-01-27
• A FAIRY TALE AND A NEW YORK AUDIENCE. 2008-01-07
• “SHAKESPEAREAN, BUT ONLY INTERMITTENTLY HUMAN.” 2008-01-07
• CYMBELINE AND ITS ENEMIES. 2008-01-06
• A FRIEND FOR CYMBELINE. 2008-01-06
• CHECKING OFF SHAKESPEARE PLAYS. 2008-01-05 · 11 comments

December 2007

• SHAKESPEARE AND NEUROSCIENCE. 2007-12-27

September 2007

• TWO WAYS OF THINKING ABOUT SHAKESPEARE AS A BLACK SWAN (COMMENT). 2007-09-28
• SHAKESPEARE WAS A BLACK SWAN (COMMENT). 2007-09-16 · 7 comments

August 2007

• A DISAGREEMENT BETWEEN SCHOLARS. 2007-08-31
• A VIRTUAL AS YOU LIKE IT? 2007-08-30
• LOVE-STRUCK SHEPHERDS. 2007-08-29
• MARJORIE GARBER. 2007-08-29
• BRANAGH’S AS YOU LIKE IT. 2007-08-28 · 2 comments
• BRANAGH’S AS YOU LIKE IT. 2007-08-28
• AS YOU LIKE IT—A RECOMMENDATION 2007-08-27
• AS YOU LIKE IT—A RECOMMENDATION 2007-08-27

July 2007

• THE COMEDY OF ERRORS– “TWINS, MARRIAGE AND IDENTITY.” 2007-07-06 · 2 comments
• SHOULD THERE BE A DANCE AT THE END OF MERCHANT OF VENICE? 2007-07-02

June 2007

• A JIG AT THE END OF THE TRAGEDY. 2007-06-15
• THE CLOCK IS UP. 2007-06-14
• DID SHAKESPEARE LOVE HIS WIFE? 2007-06-10 · 3 comments
• SHAKESPEARE SEASON. 2007-06-09 · 2 comments